In Rio de Janeiro’s Extreme West Zone, the Pioneering Politics of Inclusion, Struggle, and Resistance That Is Uniting Social Service Institutions with Afro-Brazilian Religious Leaders
On December 15, the launch of the Pathways of Xangô Social Action took place at Candomblé temple Ilê Axé Òbá Labí, in Guaratiba, in Rio de Janeiro’s West Zone. Representatives from Brazilian public agencies such as the Social Assistance Reference Center (CRAS), the Specialized Social Assistance Reference Center (CREAS), the neighborhood’s Family Health Clinic, the State Water and Sewerage Company (CEDAE), and the Municipal Secretariat for the Advancement of Women, along with State Deputy Renata Souza, were present.
The Pathways of Xangô Social Action event included spiritual leaders from the Afro-Brazilian religious temples in the region, congressional representatives, and local communities. Diverse activities, even spaces where guests could take part in braiding and eyebrow design workshops, were held alongside the opportunity to see Pedrinhas Miudinhas (Little Stones), an exhibition by photographer Clara Nascimento.
In Afro-Brazilian religions, the central theme of Axé has a deeply spiritual significance and can be understood as “life force” and “living energy.” Xangô is the name of the Orixá [deity] of justice, who rules over thunder and lightning and carries a double-sided ax.
Besides offering an afternoon of services and culture, and fostering important debates within the local community, the social action brought to light new ways of organizing in the fight against religious racism. The Pathways of Xangô Social Action is leading the West Zone in offering new approaches to building a collective and organized movement in pursuit of access to basic rights and public policies for marginalized population and Afro-Brazilian religious communities.
Pathways of Xangô: The Ax of Justice in Black Territories
Iyá Katiuscia de Yemanjá and Babá Thiago de Xangô from the Ilê Axé Òbá Labí present the Pathways of Xangô Movement to the community. Photo: Bárbara Dias
“We are fostering a number of partnerships with governmental institutions within a territory as a means of making this territory visible, and so that the Candomblé houses and terreiros [places of worship] are legitimized as spaces for the delivery of public services and the promotion of access to rights. Just as other institutions can receive public services from the State, we are in this fight against religious intolerance, so it’s an agenda that stems from the racial issue, from religious intolerance, racism, and religious racism. We work in several areas, which, for example, aren’t restricted to the issues of religion and race. We also understand that this territory is a territory of remembrance and of protecting ancestral memory.” — Iyá Katiuscia de Yemanjá
“CRAS do Axé”: A Local Collaboration between Candomblé Places of Worship and Social Service Providers
The Pathways of Xangô event also featured the local Social Assistance Reference Center’s Candomblé outreach wing, known as “CRAS do Axé” and its matriarchs: Iyá Katiuscia de Yemanjá, Iyá Luizinha de Nanã, Iyá Jacqueline de Òbá, and Iyá Márcia de Oxum. The CRAS do Axé was created in response to the recognized need for an open dialogue between the local Social Assistance Reference Center (CRAS) and the area’s Afro-Brazilian religious leaders, at the invitation of Andréia Lima, a social worker and CRAS coordinator. Lima realized that the Guaratiba region is a place with several Candomblé houses of worship and that the CRAS lacked data on them and public policies aimed at supporting followers of Afro-Brazilian religions. So she began approaching the Afro-Brazilian places of worship.
Team from the Guaratiba CRAS and CREAS. Social worker and CRAS coordinator Andréia Lima in the center with Iyá Katiuscia de Yemanjá. Photo: Bárbara Dias
Iyá Katiuscia de Yemanjá described how the fight for public policies that guarantee the protection of devotees of Afro-Brazilian religions is daily and carried out at ground level in the Candomblé places of worship. And that this demand from Afro-Brazilian religions in the region led to several leaders getting organized so that, collectively, they could be strengthened in the fight against the attacks they have frequently suffered. The Ilê Axé Òbá Labí terreiro, for example, had bombs thrown inside and Mãe Luizinha de Nanã’s house suffered an attack on theif Garden of Sacred Herbs, which was burned during the night.
“We got our houses organized and had a meeting with Andréia from the Guaratiba CRAS since she requested [to speak to] a few representatives from Candomblé houses of worship because she wanted to understand why a territory with so many such houses was completely invisible to the authorities. For example, the CRAS has churches and other Christian organizations as partners, but not a single terreiro. When we got there, we created the CRAS do Axé, which was specifically aimed at supporting the terreiros in the region.” — Iyá Katiuscia de Yemanjá
Iyá Luizinha de Nanã participates in a braiding workshop during the Pathways of Xangô Social Action event. Photo: Bárbara Dias
The CRAS do Axé is a pioneering experiment and one of great importance not only for Guaratiba but as an example for the entire city. However, it is still in its early stages and, if a coordinator that is not sensitive to the cause of the Candomblé houses of worship in the region takes over, those involved fear all this effort to open up a dialogue with leaders of Afro-Brazilian religions in the territory could be reversed. The hope is that channels of communication between the Guaratiba CRAS and the CRAS do Axé remain open. If it depends on the local followers of Afro-Brazilian religions staying organized, that won’t be a hurdle: there is no room for retreat when it comes to the struggle for rights.
Little Stones
The Pedrinhas Miudinhas (“Little Stones”) exhibition by photographer Clara Nascimento being viewed by Iyá Jacqueline de Òbá. Photo: Bárbara Dias
The exhibition Pedrinhas Miudinhas (Little Stones) by photographer Clara Nascimento, 27, showed the artist’s work in Afro-Brazilian places of worship. The exhibition, which was held in the hall of the Ilê Axé Òbá Labí, was dedicated to children raised in the Candomblé tradition.
“My main work is documentary photography in Afro-Brazilian places of worship and I’m on my second exhibition which is called Little Stones. I’ve already had an exhibition at the Rio Museum of Art through an artist residency at the Play Festival. Here in the terreiro, it [the exhibition] is being presented in a different format, with eight more photos and a different montage with another type of stand designed by Ekedji Angorense and Iyá Katiuscia, with elements and material from the terreiro, decorated with Ojás (fabrics) which are very characteristic of terreiros, and herbs. And having it within the confines of a terreiro makes me happy since I too was an Axé kid, born and raised within a terreiro. My grandmother has an Umbanda terreiro here in Guaratiba as well.” — Clara Nascimento
For a Future Drawing on Ancestors
See more photos from the
Pathways of Xangô Social Action:
Participants from the Xangô Pathways Social Action attend the event opening. Photo: Bárbara Dias
People enter the CEDAE tent during the event. Photo: Bárbara Dias
The Family Health Clinic team was present during the Social Action at Ilê Axé Òbá Labí. Photo: Bárbara Dias
The Ilê Axé Òbá Labí community, matriarchs from the CRAS do Axé, and other guests at the event pose for a photo at the end of the activities. Photo: Bárbara Dias
Iyá Katiuscia de Yemanjá and Babá Thiago de Xangô in front of Ilê Axé Òbá Labí, where there is a sign warning that religious intolerance is a crime. Photo: Bárbara Dias
About the author: Bárbara Dias was born and raised in Bangu, in Rio’s West Zone. She has a degree in Biological Sciences, a master’s in Environmental Education, and has been a public school teacher since 2006. She is a photojournalist and also works with documentary photography. She is a popular communicator for Núcleo Piratininga de Comunicação (NPC) and co-founder of Coletivo Fotoguerrilha.
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